#everydayworks

#everydaysworks

CONCERT

Devrim CK “mythones” & Mahir Duman

STD. B7

Istanbul based musician, audio-visual worker..

Living in Berlin since 2015 .

Devrim use  all kinds of media and creation tools when he produces his “works”,  He likes to make GIFs, short videos.. Instantly.. quick edited and finished. Loopy moments and thoughts, words/slogans on the walls , lights on the streets, abandoned objects, chaotic layout of the city’s signs, feelings of totally different people.. could be appreciable in his works. “when Berlin, hangover city, trying to waking up”

He is studying learning and producing new interesting techniques of digital AV worlds. Audio reactive visuals, transforming real life data for creating and manipulating  sound and visuals, AI, minimalist geometric generative art forms his new interests.

These days Devrim and his friends started to organize and develop their “kunstkollektiv” project STUDIO B7.

In this event Devrim CK and Mahir Duman will improvise together.

We are inviting you to join the experience.

Vimeo, Soundcloud, Facebook : mythones 

#everydaysworks, studio b7

Mahir Duman / Visual Artist Video Mapping | Projections | 3d Mapping | Visuals | Installations | Video Art | Vjing

Mahir Duman is a visual artist and Vj born in Ordu, Turkey.

He studied in Istanbul and lives and works in Berlin since 2011.

Mahir is doing interactive live performances and installations for festivals, clubs, special events and art galleries.
He produces video, short film, music clips and lots of different media sets, mixed and synchronized with sound and the rhythm of action.

He describes his imagery as unrealistic and surreal, that question human perception and the interplay between subjects.

Situational Dictionary :NOW

Ceren Oykut / Mustafa Pancar / Özlem Sarıyıldız  / Lerna Babikyan / Ece Gökalp / Ezgi Kılınçaslan

It seems like we are supposed to be living in the here and now, but situations can suddenly change. The here becomes impossible, and the now becomes a transitory state between past and future. Often these abrupt changes are triggered by uncontrollable external events. Life plans get shaken up and social connections become scattered. There becomes the new here, and having to deal with the discomfort of being thrown into new situations becomes unavoidable. New sets of implications emerge with new rules and requirements. And then, on fragile foundations, with unforeseeable futures, we start again. There is no other option. Due to the past few years of turmoil in Turkey, an increasing number of intellectuals, artists, and cultural workers have been leaving their homeland to head for Berlin.

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Condition Room

Having departed from the complicated context of present-day Turkey, we observe that our conditions of living and working in Berlin constantly overlap and interact. We inspire each others’ oscillating stories; we resist forgetting while we also consciously strive to forget. We persist in our own memories; we are claiming our own words to constitute our own histories. The spatial structuring of the Condition Room functions not only as a setting for artworks but also as a nest, a cocoon, a home, a grotto where you protect, maintain, rejuvenate and produce yourself. The scaffolding used in the exhibition echoes the sense of constructional temporariness that marks the process of adapting to the city of Berlin. Telescopic volumes of rectangular prisms create a room for the panel discussions.

Berk Asal, Onur Ceritoğlu, Ece Gökalp, Melih Sarıgöl, Özlem Sarıyıldız, Sümer Sayın, Ceren Oykut,
His TV-  Emre Birişmen, Selda Asal, Devrim CK, Gözde Güngör, Merey Şenocak, Seçil Yersel
Kanal82- Nino Klingler, Zeynep Tuna

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