NO (B)ORDERS is to be understood as a universal political outcry coming directly out of the project space art scene. It stands for an open worldview, the artistic recapturing of urban space, as well as the preservation of autonomy and diversity for project spaces and initiatives. Four internationally active project spaces and initiatives were selected through an open call for this exhibition, based on artworks that are clearly positioned against discrimination and repression, instead displaying ways forward toward communication and freedom. The group exhibition allows not only for an encounter with different forms of reflection and expression, but also offers a space for spontaneous art actions and further discussion.
“SEEING AND HEARING”
Offsite-Exhibition (part of MUTTERZUNGE) [at] Apartment Project Berlin:
30. 3. – 5. 5. 2018
Beyond the events and presentations at Babylon, Mutterzunge also presents several off-site projects. First among these collaborations is an exhibition entitled “Seeing and Hearing”, hosted by Apartment Project in Neukölln from March 30th to April 5th, 2018. This is an outcome of a workshop held by Loading, a Diyarbakır nonprofit art space, at nbk’s Berlin studio residency apartment, during their research visit as part of Mutterzunge.
Opening + Artist Talk:
30.March 2018, 6pm
Thur-Fri-Sat 4pm to 7pm
by Aslı Narin & Gürkan Mıhçı
Exhibition, 13th – 16th March 2018
Audio Visual Performance and Opening of the Exhibition, 13th of March, 18h [at] Apartment Project Berlin
“absencexpresence” focuses on Aslı Narin’s and Gürkan Mıhçı’s 24-hour-experience on Eastern Express train journey, from Ankara to Kars. They took off with the intention of collaboration and art production. As Maurice Merleau-Ponty claims that the painter changes the world into paintings by lending his body to the world*, Aslı Narin and Gürkan Mıhçı takes this phenomena to its maximum in their collaboration.
Türkcesi icin kaydirin
Offene Werkstatterfahrung im Schichtbetrieb
Die “Offene Werkstatterfahrung im Schichtbetrieb” verkörperte anfangs die Reaktion auf die unfassbare und unberechtigte Verhaftung von Osman Kavala – welchen wir kennen und mit ihm in Kontakt stehen; dennoch tritt sie aus der Notwendigkeit hervor, sich solidarisch mit all denen zu zeigen, welche ihrer Freiheit beraubt wurden, weil sie Gebrauch von ihrer Meinungsfreiheit gemacht haben. Sie fand am 220.127.116.11 Februar im Istanbuler Kunstraum DEPO statt.
Die “Offene Werkstatterfahrung im Schichtbetrieb” hat es ermöglicht dass Künstler und Kunst schaffende aus verschiedenen Generationen in einem gemeinsam genutzten Raum zusammen kommen konnten.
Mit Vorstellungsvermögen, mit Spielen, und der erschaffenen Sprache war man zusammen.
Exhibition Opening “T-RÄUME”
Monday, 11th of December 2017, 6pm
Duration: 11th – 17th of December
The exhibition “t-Räume” is showcasing the works produced in more than 10 workshops with young Neuköllners in the years 2016 and 2017. The wide spectrum of works includes Virtual Reality experiments, a poster campaign, chair and dome structures, urban games, music videos and dream holograms.
25th November – 10th of December
Opening Days/Hours: Thu to Sat 4pm – 7pm
Participants: Merve Bedir & Alican İnal, Suat Öğüt, belit sağ
The prevalent comprehension of (architectural) space tends to focus on (singular) event(s) staged in a certain space. The city, the square, the street, the house, the room of sorts are perceived as spaces where personal, public, and societal relations, such as political struggle, conflict, disagreement, and leisure take place. This kind of comprehension externalizes the relational and the spatial from each other, thus detaches the architectural space from the relations that produce it, or the relations that it produces*. In fact, each such relation produce their (architectural) spatiality, and the architectural space defines the characteristics of these relations. For instance, both the sovereign and the resistance are established and experienced, and transform in a certain space, in accordance with the characteristics of the space**.
This project chases a woman who had neither a very long nor a very deep life. Nazifya Akarsu, died at the age of 35, and left 8 children behind. Her still-living 5 children don’t have much memory about her, and she couldn’t leave too much behind. The only information about her is as following: She is the daughter of a migrant family coming from Kosovo to Turkey in 1923. (more…)
The television channel of ‘SiS’ is employed to bring artist works that use television programme as a form. Television programmes are produced at the set constructed within the exhibition space both before and during the exhibition, contributing to the flow of information during the course. Keeping record of contemporary memory creates a medium that can continue during the exhibition as well.
Drop City began on a rooftop in Kansas, where two young artists, Gene Bernofsky and Clark Richert, dropped art from their studio onto the street. They wanted to make art a part of everyday life. In 1965, together with Jo Ann Bernofsky and Richard Kallweit, they bought a small piece of land in southern Colorado, and were soon joined by other artists, writers and inventors. (more…)
Experimental duo Fezayafirar appears at Apartment Project Berlin for yet another improvised session, where they will go between drone, polyrhythms, noise and soundscapes, bringing together analog electronics, acoustic and DIY instruments. Frances Sander will accompany the duo with live paintings.
Artists from Istanbul, Izmir, and Mardin have come together in Berlin at Apartment Project in July 2016 for a-month long experience of communal living and production. This marks the beginning of a one-year long process called Mist. Aiming for low visibility and high presence, the artists are considering positions, actions, and presence they can take in response to the accelerating trans–geographic state of exception. (more…)
In unserem ersten Workshop von Mai bis Juli haben wir mit Geflüchteten in der Stadt Villa Global gearbeitet. Gemeinsam mit Schüler*innen der Heinrich-Heine Schule produzierten wir im Juni und Juli ein kollektives Musik-Video. Hier sind ein paar Eindrücke.
The Private Nationalism Project is a series of international art and cultural programs. It has been realized as a collaborative effort among eight institutions from six countries, an international team of art professionals, and several artists from Central-Eastern Europe and beyond. (more…)
As a part of the Transmediale-CTM Vorspiel Festival program, Apartment Project is hosting sesperisi and Daniel Hinojo.
“sesperisi” (by Özgür Erkök Moroder) will perform it’s new electro post-punk songs using a “wild-green” costume, which alludes to the mythical wildman and green man figures in the context of post-apocalyptic stage decoration. (more…)
Using music to connect
This project was conceptualized by Selda Asal with the visual artist Özgur Erkök Moroder in 2015. Its aim was to gain insight into the lives of the people that make up the diverse population of Neukölln. The culmination of this collaborative work is a rap music video, which functions as a mediator to engage the public to share their own stories. (more…)