NO (B)ORDERS is to be understood as a universal political outcry coming directly out of the project space art scene. It stands for an open worldview, the artistic recapturing of urban space, as well as the preservation of autonomy and diversity for project spaces and initiatives. Four internationally active project spaces and initiatives were selected through an open call for this exhibition, based on artworks that are clearly positioned against discrimination and repression, instead displaying ways forward toward communication and freedom. The group exhibition allows not only for an encounter with different forms of reflection and expression, but also offers a space for spontaneous art actions and further discussion.
by Aslı Narin & Gürkan Mıhçı
Exhibition, 13th – 16th March 2018
Audio Visual Performance and Opening of the Exhibition, 13th of March, 18h [at] Apartment Project Berlin
“absencexpresence” focuses on Aslı Narin’s and Gürkan Mıhçı’s 24-hour-experience on Eastern Express train journey, from Ankara to Kars. They took off with the intention of collaboration and art production. As Maurice Merleau-Ponty claims that the painter changes the world into paintings by lending his body to the world*, Aslı Narin and Gürkan Mıhçı takes this phenomena to its maximum in their collaboration.
Türkcesi icin kaydirin
Offene Werkstatterfahrung im Schichtbetrieb
Die “Offene Werkstatterfahrung im Schichtbetrieb” verkörperte anfangs die Reaktion auf die unfassbare und unberechtigte Verhaftung von Osman Kavala – welchen wir kennen und mit ihm in Kontakt stehen; dennoch tritt sie aus der Notwendigkeit hervor, sich solidarisch mit all denen zu zeigen, welche ihrer Freiheit beraubt wurden, weil sie Gebrauch von ihrer Meinungsfreiheit gemacht haben. Sie fand am 188.8.131.52 Februar im Istanbuler Kunstraum DEPO statt.
Die “Offene Werkstatterfahrung im Schichtbetrieb” hat es ermöglicht dass Künstler und Kunst schaffende aus verschiedenen Generationen in einem gemeinsam genutzten Raum zusammen kommen konnten.
Mit Vorstellungsvermögen, mit Spielen, und der erschaffenen Sprache war man zusammen.
This project chases a woman who had neither a very long nor a very deep life. Nazifya Akarsu, died at the age of 35, and left 8 children behind. Her still-living 5 children don’t have much memory about her, and she couldn’t leave too much behind. The only information about her is as following: She is the daughter of a migrant family coming from Kosovo to Turkey in 1923. (more…)
7 artists/ Ali Demirel, Ceren Oykut, Ezgi Kilincarslan, Gözde Ilkin, Mustafa Pancar, Lerna Babikyan, Özgür Erkök Moroder) from Turkey who work on different fields and with different mediums realise their own projects, they will interact at some point to intersect their issues to each other.
“In the blink of a bird” is the product of a collaborative work initiated by a group of individuals who pursue the possibilities of collective production, and reflect on the ways and methods of thinking, acting, departing and deciding together. The project which is hosted by the Apartment Project was launched in 2016. (more…)
Drop City began on a rooftop in Kansas, where two young artists, Gene Bernofsky and Clark Richert, dropped art from their studio onto the street. They wanted to make art a part of everyday life. In 1965, together with Jo Ann Bernofsky and Richard Kallweit, they bought a small piece of land in southern Colorado, and were soon joined by other artists, writers and inventors. (more…)
Experimental duo Fezayafirar appears at Apartment Project Berlin for yet another improvised session, where they will go between drone, polyrhythms, noise and soundscapes, bringing together analog electronics, acoustic and DIY instruments. Frances Sander will accompany the duo with live paintings.
Während des Workshops werden die TeilnehmerInnen digitale Produktionsmethoden kennenlernen und diese für die Visualisierung ihrer nächtlichen Träume als Bilder, Animationen, Videospiele oder als künstlerische Installationen einsetzen. Die Methoden und Fragestellungen des Workshops sollen den TeilnehmerInnen Reflexionsvermögen und Wissen vermitteln, die den Umgang mit digitalen Bilderfluten erleichtern.
Film conceived and produced by the Collective Film Project (KFP)
Collective Film Project (Kolektif Film Projesi, KFP) is a cinema initiative of Apartment Project. KFP was formed as a platform for artists from different backgrounds and working in a variety of media to come together to create new cinematic forms. The project is grounded in a philosophy of collaboration, embracing spontaneity and improvisation. KFP drew inspiration from the tropes and formats of historical genres of film, performance, and literature. (more…)
In the spring of 2012 we made a series of experimental excursions into our city, Berlin. Our idea was to activate the potentials of our urban setting; the blank facades, the busy streets, the characters that comprise what we understand as our city. (more…)
Apartment Project Berlin is a space for collective living, aiming to be a meeting point for international artists towards productions with interdisciplinary approaches. Moving from Istanbul, feeling the urge to come up with new ideas in a new surrounding, geography; the project is trying to take risks, eliminate the great expectations by questioning the notion of success while discontinuously transforming.
KABA HAT was in a residency in Apartment Project between 25 July-6 September 2013. During that period KABA HAT had an exhibition in Institut für Alles Mögliche, participated to the B_tour festival and between 2 September-2 October 2013 Trümmer auf Trümmer (Yığın üstüne yığın) was exhibited in Apartment Project.